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Old Recipe |
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New Recipe watercolor/mixed on paper 27.5 x 18 |
Beginning a new painting is often like trying out a new recipe. Which pan? (oops...too small) Which order would best accomplish the goal? Which spices...more of? less of? And, oh, the mountain of pots and pans at the finish! For me, it takes more than one "go" at a new recipe to feel comfortable in the making. With a painting, those options are limited...especially with watercolor. I had a vision, in this case, of how I thought the painting would look. My sketch proved to be erroneous, in that I saw the cookware as a lighter value...the background a darker. As I painted, and continued to paint, the reflections and all of the colors therein, the cookware took a turn to the dark. My dark background continued to confuse. It seemed fine up close. But distance turned it all into a muddle. I prefer a stronger value differentiation in order for the work to be read at a distance, as well as to simplify the shapes. Woe is me. This painting hung in my dining room for over a month. During that time, my patient husband hung and removed the work for further study and further work several times. I was not happy. My final answer involved printing relief ink over top. I had reversed the values from my initial sketch. Topsy turvy! And so, I guess that lesson for me is to remain flexible, to veer from the initial notion in order to achieve the look that first sparked my brain.
A painting is never finished. It simply stops in interesting places.
Phil Gardner