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Clock Tower oil/canvas 12 x 9? |
Artists are notorious for their personal senses of time. I am no exception. I believe that in order to be truly creative, one must be unaware of the clock. That being said, you will understand why quick draw, a timed 2-hour painting done on the green in Hudson, makes me sweat. My work usually relies on several layers, much contemplation and much alteration, involving create and destroy processes. None of that is possible at this event. So I am immersed into "alla prima" painting, from the first......The canvas was pre-toned with an acid green color, a warm yellow-green that fits well, I think with outdoor painting. I found a location well ahead of the event and plotted. I will say that this work was more successful that the ones done in years past. I painted what I saw and tried to avoid re-painting any passages, which always ends up muddy and indistinct. I did a slight bit of destroy, by softening unimportant edges with my fan brush and a bit of medium. I softened all of these geometric shapes with a bit of organic leaf-play. At the end, I wiped through to the the pre-toned canvas in some places to offer up some cohesion. This work was auctioned at the end of the event.
What would I change given another session? I would probably correct some of the incorrect shapes, and, perhaps, take some steps toward a more harmonious color palette. But then there is something to be said for painting on the spot. Maybe I will try it again..................at next year's event.