Mary 20 x 10 x 1.5 |
is a painter from my oil class. I feel so privileged to meet so many creatives of like mind!
One of the challenges I always try to introduce is the study of the figure. We (I) don't have nearly enough opportunities to draw and paint from life. Why? Hiring models is expensive and prone to many difficulties. Sometimes they don't show up. Sometimes they want to relate so much that they talk through the sessions, moving every muscle in the pose. And...the sessions must be timed. Five minute breaks turn into ten. And, when painting in a group (more affordable), the pose is often determined by the most dominant artist in the group. The pose is usually sitting and often involves a fancy tea cup and massive draperies. (UGH!) At one point, I hired a model for my small studio...the space limitations created even more problems, as I prefer standing at quite a distance in order to blur the too-many details. There... it is off my chest.
On the flip side, photos flatten images, skew the values and offer up way too many details.
This painting was created using a spontaneous photo reference from a moment when Mary was simply admiring the work of another artist. As I really do like the small gestures that occur naturally in the comings and goings of humans, this shot satisfied me in that this pose with hands crossed behind the back IS SO MARY. The plaid shirt is implied, the pattern rendered more accurately at key junctures. No mistake. I believe that this small work implies Mary more than a portrait might.
I am happy.