Red Gold oil/canvas 6 x 6 x 1.5 |
All forms present their own particular problems in painting. Circles. Circles. Circles. Without hard and soft edges, the forms become too self-enclosed for me, preventing the movement around the painting. I have learned this over the years with repeated efforts at painting pumpkins. I love to play off these circles with line...the vines...and with texture...the leaves and the small buds at the tops. For me, these considerations have improved my tomato painting efforts.
Add balsamic vinegar, soft mozzarella, salt or mayonnaise. Life is good.