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Tuesday, June 12, 2018

Gouache Redux

OH-585 S   watercolor and gouache   8 x 21
Many years ago I created several works in watercolor using a white gouache base that has been left to dry.  The colors become milky.  Pigment moves around, as this gouache layer acts somewhat as a gesso underpainting.  Whites can be retrieved, up to a point.  The delightful surprise this time around was that the resulting strokes left their own marks, leaving the work much more interpretive. I was less impatient to achieve reality.  I chose a simple layout with simple shapes.  The brush barely touched the surface.  Pie crust.  Darks are understated. 

This method provided the perfect atmosphere for a scene spotted on a beautiful spring day on OH 585-S while on a road trip to Wooster.

The brighter blue passages tickle my fancy.  I am pleased.

Saturday, June 2, 2018

The Red Bucket...Switching it Up

The Red Bucket   watercolor on Khadi   15 x 29
I would have to say that 140# cold press watercolor paper is the "go to" paper for watercolorists.  We get very content and familiar with Fabriano Artistico and Strathmore Artistico.  They do, after all, have many endearing qualities:  liftability; ease of moving the paint around, a perfect amount of sizing and a predictable softness. Vanilla ice cream.

What happens when we switch it up?  I like to say that changing one of your variables (paper, paint or brushes) is like the adjustments one must make while driving in various weather conditions...somehow we learn to maneuver around, hopefully with ease.  "The Red Bucket" is now my 4th or 5th painting on Khadi paper, a handmade, mouldmade, acid free  paper from India that is said to be made from recycled tee shirts.  At this time, I think that I am able to generalize the directions of works painted on Khadi:  1) the paint cannot be pushed around quite as readily, as it quickly sinks into the fibers 2) as a result of #1, the objects have harder edges than most of my work 3) the colors are stonger....I find that I am applying more layers than usual 4)  the paint can be lifted, somewhat, but with greater and greater difficulty 5)  the texture and vibrancy of these works is what make them stand out.  A completely different experience....fun to be had!  Rum raisin.