|Rock Stah oil/canvas 30 x 24 x .75|
First off, I really need to believe in the qualified "eye" of the beholder. I need to feel that her critique is viable and honest. Secondly, human nature being what it is, I need to feel that the critical offering is coming from a good honest place. I need to trust the offering. I need to trust the offerer.
I took "Rock Stah" to the last critique. My work thrives on spontaneity and so I accept smaller indiscretions in order for stroke-making to remain supreme. It is therefore very difficult to approach the work in a like manner at another session, which is true for many works created with larger brushes in a shorter timer period. Among other suggestions that are not do-able, our able leader felt that the face needed more description. Her work is extremely solid, extremely realistic. I deliberately left the face under-described in my attempt to leave out the unnecessary. She felt that as is, the face inhibited her enjoyment of the work. I considered her opinion this past week and went into the face again for a bit more description. I also took the advice of another respected artist and put some highlights on the guitar-playing fingers. And, while I was at it, I decided that the flesh-like-pastel-orange background color just wouldn't do. Most of the surface area was glazed with a transparent yellow, creating some wonderful greens on top of the blues, and making for a more electric feeling overall.
Critiques need to be considered in my opinion...follow up those suggestions that seem correct to you and let the others fall to the wayside. No one else fully understands your intent.