Guest(s)

Guest   oil on canvas   8 s 24 x .75

make our lives worthwhile.  Calm.  Sweet.  The same feeling that painting provides for me, actually.  Love that knows no boundaries.  For those who grace our table and for those not present this year for whom our love crosses many many miles.....California, Louisiana and North Carolina. 

May you live each day in the merriest of ways.  (from a card sent to us by the Laakso family)

Bus Stop

Bus Stop   watercolor   27 x 19

"Bus Stop" was painted in class from a model who happened to be the daughter of one of the participating artists...I provided the fur coat for the session.  The pose, the glance, the hands encased in a muff-like position came from my own experiences in waiting for the bus on a cold, possibly rainy, winter's day.  I have always enjoyed this painting, despite its many drips and raw passages for the simple reason that it conveys my message without being over-painted.  And that, to which all watercolorists will attest, is the supreme hazard and downfall of many a painting.  Restraint.  Simplicity. Sometimes we need to be reminded of our goals.  Reminded.  And re-reminded.

Christmas Chaos

Three Ornaments   watercolor   6 x 9

is part and parcel of my life at this time of year...in almost everyone's life, probably.  Boxes of ornaments emerge from the attic and wrapping paper rolls surround shopping bags and strings of lights that always seem to be tangled.  Eventually, the chaos gives way to some sort of holiday order, designed to brighten our lives, and those of our guests, during this dark season.  "Three Ornaments" was painted as an after-Christmas exercise before these vintage glass balls were put away.  I like this painting as I feel that it was successful in portraying the translucent feel of the ornaments.  I resisted the desire to over-describe and over-paint.  This was painted on a sheet of Indian Village handmade paper that I had on hand.  It was made in India.  I haven't seen it around in a while and not sure if it is still manufactured.  It is heavy and has a distinct laid texture.  It is virtually impossible to push the paint around which is per usual on Strathmore or Arches.  The paint has settled into the grooves of the paper quite unevenly which, I think, adds to its charm.

Seeing the light reflected off of these hard surfaces gives me such pleasure....so much pleasure, in fact, that I am willing to deal with the chaos.