A Tin Among Cans

Basement #2 (A Tin Among Cans)   watercolor on Khadi   18.75 x 28

Another composition from my very very very old basement!  While in high school, I used to freak out every weekend trying to decide upon a subject worthy of my attention to paint for the required Monday art project...something so meaningful or so beautiful that it would initiate "pause".  That all seems so funny now, as my work is based on my own perception of the reality, rather than the subject itself.

This work was broadly painted with watercolor on Khadi paper...my first experiment with this luxurious handmade paper from India.  It is an intimate relationship, and one entered into with some trepidation, getting to know and appreciate the qualities of an unfamiliar support.  I like this work (a lot), although I feel that from here on, I will use Khadi for more delicate subject matters.  I hesitated a bit as to whether or not to include typography from the paint cans and decided against...typography (left brain) always steals the show and takes the visual power away from the inherent rhythms.  A visitor to our local gallery expressed this same opinion a few months ago....she paused in front of a very conceptual work that included stenciled lettering.  She offered her opinion that the "readable symbols" caused her appreciation of the work to come to a complete halt.  Ah....something to consider.

Basement #1 (Drying out the Crawl Space)

Basement #1 (Drying out the Crawl Space)   watercolor   26.5 x 19

We had a bit of a mess in our old farmhouse this past December.  Due to an unfortunate "imperfect storm" of events, our crawl space was filled with water.  The clean-up entailed lots of work...removing many large trash bags filled with water-logged insulation.  We made every attempt, and still do, to dry out this nearly inaccessible space.  It was during this stressful time that I happened upon the notion of "beauty in the basement"...using the camera to compose scenes that one would not ordinarily consider to be beautiful.  Actually, I found several spots ripe for the painting.

This fan is perched atop a step ladder, providing an airing out of the affected space.  As I am not a fan of using masking fluid, I knew that the fan would be a challenge, and knew that, given my process, all of the plastic slats need not be rendered to perfection...just a few.  I used a flat brush and a light mix of cerulean blue to help me see the negative areas....I knew that they would be covered up in subsequent layers.  All in all, I am happy with the work.  It certainly was quite a challenge!

So are old houses.