Lemons - Lesson in Scale

I am always up for painting lemons!  I love the flavor, the color and the appearance.....I guess they are a bit of a comfort fruit for me.  Sometime last year, I had an "aha" moment regarding scale.  As a longtime portrait and figurative painter, I seemed to have an innate sense about the human proportion and disliked the shapes that appeared too large, too monstrous.  (Likewise, and even more so, I disliked all objects that seemed just too small, even if well painted.)I think that this predisposition carried over into all subject matter.  Most of my still life works featured objects that were either life-sized or slightly smaller...and from a frontal viewpoint.  That seemed correct to me.  And, yet, I always admired dynamic larger works and those that featured objects from a bird's eye viewpoint.  And so I grew.....and came to challenge my notion of scale.  This time around, I took on a work that features lemons, both larger than life-size and from an aerial view.  I think that the white tray functions as a background or negative space.  The result, to me, was a simpler more dynamic work.  I pushed several of my former limitations here and I am thrilled!  Growth and evolution is part of the artistic process.  It is exciting to venture out and to grow.

Corner Cupboard

Corner Cupboard   Watercolor   19 x 28

is the resulting work from a "market place challenge" offered up to artists in my class.  While it is always good to paint what you know, it is also good to stretch your boundaries, to be able to see beautiful patterns, shapes and values wherever you go.  As I have already done so very many produce stands,  I went on a photo reference adventure for this challenge  to the local antique mall.  While the dark stern nature of so many antique objects depresses me, I often take a trip there to look around, just because the sights are so very different and stimulating compared to the same-same-sameness and plastic overabundance found in big box stores.  The beauty of many of these older objects has stood the test of time...still functional, still simple, still lovely...with the additional qualities of patina and  imprints of past use.  And, for some reason unbeknownst to even me, I have always been attracted to enamelware, with its chippiness, and small bits of rust. A visual feast!

This work was actually fun to paint, as the cherished whites became the story, and my quick, imperfect strokes reinforced my notion of the subject.