things often appear differently. Sometimes paintings that we adore don't seem so noteworthy. And, just as often, the reverse is true...paintings that we feel ho-hum about take on a fresh look. We may even say to ourselves, "hey, that isn't so bad after all". It's true. In viewing "Melon Sill", I feel that I really like this painting after all. And I think I know why. In most of my work, I strive for strong value contrasts....these provide drama and the ability to read a painting from a distance. But what about those often understated and underused mid-values? In the ever-present light of summer, aren't lighter values appropriate and appealing? And....shouldn't we consider the use of value to be an important ingredient in the story we are telling?
Note to myself: Always consider value to be maneuverable.....adjustable....to support the visual story. And, don't neglect the mid-tones....they are beautiful in a different way.