In retrospect....

Melon Sill   watercolor   6.75 x 12

things often appear differently.  Sometimes paintings that we adore don't seem so noteworthy.  And, just as often, the reverse is true...paintings that we feel ho-hum about take on a fresh look.  We may even say to ourselves, "hey, that isn't so bad after all".  It's true.  In viewing "Melon Sill", I feel that I really like this painting after all.  And I think I know why.  In most of my work, I strive for strong value contrasts....these provide drama and the ability to read a painting from a distance.  But what about those often understated and underused mid-values?  In the ever-present light of summer, aren't lighter values appropriate and appealing?  And....shouldn't we consider the use of value to be an important ingredient in the story we are telling?

Note to myself:  Always consider value to be maneuverable.....adjustable....to support the visual story.  And, don't neglect the mid-tones....they are beautiful in a different way.

It's a hot one

Melon Sill   watercolor   6.75 x 12

Here in northeastern Ohio it has been over 90 degrees for several days. Our old house of almost 150 years has no air conditioning. My '94 Toyota Previa van has 225,000 miles on it, but the air conditioning has been kaput for several years. The heat puts an edge on things to be sure, but I'm not sure that it all bad. I really do think that it shows up in my delight at painting certain things. This watermelon painting was begun as a monoprint, by painting on a piece of plexiglass, then transferring it to watercolor paper. The painting is continued by brush, albeit backwards as you view the set-up. It was painted in the air-conditioning at Cuyahoga Valley Art Center alongside my fellow painter Susan Mencini. Although I am not satisfied with the composition, its fresh and watery nature is successful in my opinion. I think that might be due to the extreme heat.