Painting the incoming surf of the ocean is quite a challenge. The still life is, well, still. Models are still for short periods of time...with perhaps a twitch or two, or a relaxation of a limb or two, for the most part. And, despite the movement of the sun and the interference of clouds, landscapes are generally given to status. However, the ocean never rests. Capturing this movement, to me, requires a study of the large rhythm involved, and as much understanding as possible, of an up-and-over movement....similar perhaps to the rise and fall of the folds of a quilt, but far less material. I was inspired by the rowing paintings of Thomas Eakins, as well as an ocean work by my hero Alex Kanevsky. This work was painted in a day. Sure....I was tempted to have another pass, but knew full well that subsequent strokes would only solidify shapes, turning them into cement. I have held off now for over two weeks and the obsession is now past. Contemplation is good.