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Showing posts with label The Letting Go. Show all posts
Showing posts with label The Letting Go. Show all posts

Saturday, January 18, 2014

Letting Go

The Letting Go   oil on canvas   40 x 30 x 1.5
of all kinds of things is scary...letting go of habits, of crutches, of perfectionism.  And yet, letting go allows for many more opportunities, more confidence, and an increasingly greater realm of creativity.  When I was a child, I took swimming lessons.  As a below-average swimmer, I always took care to choose the lane in the pool that was on the edge, just in case I needed to hang on to the wall as a security device.  After a few sessions, my instructor caught on to my trick and told me to take the center lane.  That was when I learned to swim.  By increasing our drawing skills, and by letting go of photographs we are able to achieve more freedom in our paintings.  And that is indeed the most difficult thing to do.  As children, we are able to doodle all over the page without terror.  As adults, we somehow become mired in reality and glued to details that are actually unimportant.  In the long run, I believe that we will only achieve freedom when we let go of our visual crutches.

My actress friend calls this "being off book".  Essentially, this means that it is only when you have memorized the script, and can put it down, that you are able to be creative with your own interpretation of your character.

My current read is The Goldfinch by Donna Tartt.  On page 578, (for those of you with an investigative inclination), is a description of paintings that illustrate my point....and a lengthy discussion at that.  Too much perfectionism deadens.  The masters are indeed masters at the creating the illusion of the subject, while using the paint, the strokes and their hands, as well as the subject.

Let go..............if only one hand at a time.

"Letting Go" is currently on exhibit at Group Ten Gallery in Kent, Ohio.

Monday, October 3, 2011

The Letting Go..the real + the imagined...carousel

The Letting Go   oil/canvas   40 x 30 x 1.5
was painted fairly recently as a therapeutic work for myself....and vicariously for a friend.  The work was created from many photos taken click-click-click.....style on a beautiful spring morning in Boston.  The figure is a composite of two separate girls. The face is made up and played down to increase the power of the overall figure.  The arm is made up.  I modeled my own hand.  The horse is a composite of real and imagined.   The interior of the carousel's roof  was flattened into a 2-dimensional pattern.  I was concerned with the overall lightness of the bottom of the canvas.  I was advised at a recent critique to leave it alone and consider the work finished.  Terrific.  Using a design-centered approach can leave one up in the air as far as a cemented finish as there are always patterns that can be enhanced.  OK.  Wonderful.  There was also a comment regarding the lack of sheen on the painted surface.  Up until now, I have used a 5:1:1 medium mix of turpentine: stand oil: damar varnish.  I may experiment with a 50:50 mix of turpentine:stand oil.

Learn.  Re-learn.  Keep moving.