Varietal 2

Varietal2   oil/canvas   8 x 24

This is the third of "quick" paintings designed to boost my self-confidence after spending most of the summer on "Equilibrium".  This still life was set up in my studio, and was painted using direct observation.  It took two days.  This small series enabled me to tackle my more complex compositions with a bit more enthusiasm.  Seeing things simply has its advantages.  I wish I could do it more often.

Delicious Apples

Delicious Apples in Vintage Pot   Watercolor   16.75 x 13

is a still life watercolor.  My inspiration came from a couple of things.  First, a vintage pot that has been in my possession for a number of years.  Its textured surface is a marvel, the patterning appearing to be random.  But, of course, it cannot be.  The second, my love of the autumn apple.  I decided in this case to "go for the gold", rather than the ubiquitous reds, the ones most often seen in paintings. The challenge was, for me, in this textured patterning...to suggest it in key areas rather than getting lost within it.  I guess I would have to say that this detailed and engaging pattern had to be sacrificed for the overall movement and visual "reading" of the work.  The white of the paper begins at the bottom and winds up through the work.  Any time that I am able to resist over-painting these whites is thrilling as well as rewarding.

I am satisfied.  (temporarily)

Varietal...

potatoes, varietal beans and varietal line, the mix of which is ever so exciting!  Mixing it up can give us artists a totally fresh perspective.  Sometimes, in the drone of making, we use the same the same the same and approach things the same the same the same.  In our workshop, we used charcoal sticks to experiment with the many ways that simple stick can be used:  pouncing, on its side, on an angle, on its end.  This, to me, is poetry.  Why use a multitude of small strokes when a big one will do?  And pair it up with some small ones to give it more power.  Yes.  We also used our erasers to make smudgy marks and shapes.  In the sample shown, those beautiful wavering lines were created with an eraser.  As are the large half-toned circular shapes.  It is, in my opinion, through these simple lessons in playful abstraction that we are able to play, to experiment because reality doesn't get in the way.  Hopefully, we are able to cross over these lessons with a fresh eye when approaching reality drawing.

Tis the Season...for small works...

Delicious   oil/canvas   5.5 x 5.5 x 1

I have found that most of my creative energy of late has been devoted to preparing for a wonderful holiday season with my family. I'm sure I don't have to list here all of the added activities that consume December time...we are well aware. As a result, my painting time has come almost to a screeching halt....I simply do not have the attention span or the brainpower to solve visual problems. Mini-paintings are a wonderful solution to keeping our brushes in paint. Sure, they have some problems to solve.....but not overwhelmingly so. And a min-painting can usually be finished in a session. The drawbacks, of course, are those confoundedly small brushes and setting up a large easel for such a small canvas. These small canvasses can be put on shelves and side tables for more intimate viewing....I am particularly happy with the color harmony in " Delicious". This painting is 5.5 x 5.5!

That Apple Time of Year...

Varietal   watercolor   17.5 x 13

The meaning of the word "pagan" has changed over the years. Currently, it has negative religious undertones having to do with one's beliefs, or not. Originally it had more to do with the notion of peasant, rural, of the earth, a following of the natural rhythms of the seasons. The unknowing. Perhaps the illiterate. Intuition. I enjoy painting with the seasons. What excites me personally is affected by the weather, the amount of light and dark, the temperature and the holidays. This is apple season....every year I am quite astonished at the number of new varieties available! Always some never heard of before. I can hear the crunching and smell the sweetness. Apple fritters. Apple Dumplings. Apple Pie. I guess the heart and stomach are definitely related. "Varietal" was painted in the autumn. I studied calligraphy for many years....repetitious line work with lots of rules. Very precise. These days I like to spin off of those rigid letter forms to make my own varieties. In this case, I used them as a design element, some creative line work, to list some of the varieties of apples that can be had. Not meant to be read. Just enjoyed visually.

Painting an apple a day.....

Granny Smith's Grin   oil/canvas   4 x 4 x 1.5

The artists in my classes will attest to the fact that I love apples. Almost always, we paint apples for the first session in the fall, as they are easy to lug along and fun to paint. And then they provide a treat for the ride home. We also discuss design elements. If we attest to the simple explanation of good design as "big and little things arranged pleasingly on a page", then we must also admit that not every still-life set-up offers the ultimate in great design. Sometimes it is necessary, and even preferable, to allow our imaginations to create where reality falls short. I think of line, especially pencil line, as an inviting element incorporated into a painting. Those first pencil lines that peek through a watercolor not only function as a design element, but also allow soulfulness to appear by watching the attempts, and perhaps the struggles, of the artist. Lines that have virtually no meaning literally still pack a punch when read visually. Squiggly energetic lines playing with the front-stage round form of the apple. Yum. In "Varietal" I painted the scene in front of me, then added calligraphic line work in the form of the various kinds of apples that are available to us in the marketplace. Playful lines. Colorful lines. Contrasted with rounded forms. Crunch.