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Showing posts with label critiques. Show all posts
Showing posts with label critiques. Show all posts

Tuesday, April 2, 2013

Keep Those Hands Busy!

 

I am a fidgeter...real and imagined slight discomforts arise when I try to sit still for longer than, let's say, 10 minutes.  So, drawing while listening provides that needed nervous release during the long evenings of critique.  And, I must say, that doodling also allows for a more intense listening.  My mind doesn't have the opportunity to meander, as both brain parts are functioning.  These small portraits of artist friends were sketched this past week.  Oh so many good paintings were displayed!  So many ideas and so much beauty!  My favorites this time around were three powerful works that shared the element of simple shapes:  the wondrous dark 6 am clouds of Judith Carducci done in a narrow horizontal format (one of my favorites); an early morning patchwork Irish landscape by Ann Emmitt (small but packing a large punch); and the almost-abstract work of three warehouse garage doors by Dan Lindner, the color being pushed to the max.  Perhaps my adoration of these works arises from the fact that these were so very different than my own paintings.  Perhaps I just like them.  But what they all shared was a powerful simplicity.  And our critique leader Jack Lieberman peppered the evening with so much knowledge....knowledge that has accumulated from a lifetime of work and study.  We are a lucky bunch....support and constructive comments.  A perfect evening, methinks.

Thursday, April 1, 2010

the life so short, the craft so long to learn...

Kinyatta   oil/canvas   30 x 24 x .5
Hippocrates.  Yes.  The night of the critique is always a sleepless one for me....images twirling and swirling in my brain.  The creative subconscious at work.  And, in the morning, a bit of resolve, as I attempt to assimilate the lessons presented to me during the session.  (And this time, it cannot be attributed to Diet Coke)  I really do embrace the beautiful differences of my artists friends and colleagues...the wonderful composition by Judy Gaiser, the complex color behind Dan Lindner's vintage pencil sharpener, the abstracted and spontaneous boats of Kevin Hudik, the sparkling carousel painted from a mutated photograph by Manna Huang, and marvelously complex and patterned world of Tricia Kaman.  These are my inspirations.  My own deconstructed painting of Kinyatta registered some valid comments....the placement of the hand, the too-much-dominance of the thumb and the necessary/unnecessary white stroke mid-bottom....I take these comments seriously, especially from artists whose work I admire and enjoy.  I will think on these things...the face and hands seem sacrosanct in this process...for me the question is

what do I really need?

Tuesday, March 31, 2009

Critique

The Red Shoes   watercolor/gouache   25 x 14
Last week, I was invited to critique work at our club meeting - The Akron Society of Artists. It is an exciting event and I can rarely sleep afterward. To be surrounded by so many people of like mind is just the best......people who are stimulated by the many ways of visually expressing the world around us. Thomas Edison said "I have friends in overalls whose friendship I would not swap for the favor of the kings of the world". This is how I feel about my painter friends. Of course, some painters leave the meeting elated after having received positive affirmation from their peers. And.....some are discouraged and disappointed. We have all experienced a little of both. For me, the goal is always to be able to self-critique as much as possible, so that the visual problem-solving is somewhat resolved before the painting is presented. I took the painting "The Red Shoes" to critique many years ago and will never forget what the critique-leader said (do we ever?).....that he liked the painting but wasn't sure about the red shoes. Well, for me, the whole point of the painting was indeed the red shoes, and the character of the person who dares to wear them! Definitely my son Nate! I this case, I ignored the comment and have continued to enjoy the painting.....and especially the red shoes.

Thursday, February 26, 2009

Sixty Pairs of Eyes

Terry and Dan...a sketch
Last evening was our club's monthly critique. It is probably our most popular monthly meeting as everyone brings works that are currently in progress or, sometimes, finished. What a stimulating event it is! Our leader last evening was Terry Richard who goes about the task in an efficient way and seems to zero in on areas that are not working in short order. He was assisted by Dan Lindner who plays "gopher" by putting all of the paintings up for viewing. It is such a treat to be entertained with colors, shapes and movement. Some of us also use the time to our advantage by sketching while we are sitting. My brain is always overstimulated by this event, but in a most pleasant way. Judy Gaiser's blue heron and Ann Ferguson Kah's Arizona tree were standouts. My painting-in-progress received some helpful notes. Sixty pairs of eyes are better than one.