Les Pieds

Les Pieds     pastel/mixed   28 x 21

is a work completed as a result of our Tuesday evening sessions of live modeling featuring the young ballet dancers of Ballet Excel Ohio.  I use these sessions as experimentation....as a springboard to hatch new ideas...new forms of visual expression.  The model typically performs a series of limited-time poses before settling into a pose for the rest of the evening.  I used two of these quick poses along with the longer one on one sheet of paper using pastel.

At home, I worked on these three drawings to attempt to create a unified whole...washes of water were added to create softer edges where needed.  Then, using a combination of linoleum blocks, one uncut and one a pre-cut design, to print on top using relief ink.  I used cut pieces of tracing paper on top of the shapes I wished to retain in order to block the printing.  The final pass was spent in trying to merge both the drawing and the printing processes...searching for a bit of balance.

By enunciating the feet and diminishing the facial features, the attention was shifted to the feet.  (hopefully).  I am satisfied.  In fact, I am pleased.

Happy Hour - Labor Series

Happy Hour   pastel/paper   19 x 12

"Happy Hour" was done from a live model in pastel on toned paper. John, the model, is an amazing guy and his look was right for what I needed. I wanted the feel of a guy who celebrates the end of the work week with a can of beer....none of this fancy imported stuff but more likely a can of high-powered Milwaukee Ice. In actuality, John is a Pepsi freak, but that worked just fine. I like using the paper itself, in this case a darker blue, as the dark value masses of what I am seeing. I like the surface being incorporated into the picture. I like this work. Pastel can be very immediate. When I look at it now, I see that I threw caution to the wind that day. I drew recklessly. And I like that. Maybe it was Friday.

Birthday

Independent   pastel/paper   20 x 13

Today is my son's birthday. My husband and I are excited to give him a call and have been trying to figure out the best time to do it as he lives three time zones away. I credit my children for giving me the depth of love that it takes to paint - to feel so deeply that it almost hurts, and to risk all for what you believe in. In "Independent" my son Nate posed for my Kent watercolor class. He actually fell asleep during the pose! (oh that I could relax so well!) The watercolor didn't work out so well and then transformed itself into a pastel. A morphing so to speak. Commitment. Thomas Edison said: "Nearly every man who develops an idea works at it up to the point where it looks impossible, and then gets discouraged. That's not the place to become discouraged." Thanks, Tom. I needed that.

Creating with what you are given

Fourteen   pastel on paper   23.5 x 17

I don't often use pastel. Every now and then, however, it is a fresh change of pace. Using a paper that has color is especially exciting since that color is already programmed into the work. That color is the "given". I love it when it shows through all parts of the work, not just the background. Using pastel can enhance spontaneity when it is used more as a drawing medium. Line work is much more crucial. "Fourteen" is a 3-hour picture that hit my mark.....that is sometimes so difficult. It satisfies all of my requisites for a good work......very rare. In fact, I used this image for my business card. Sometimes surprise is the result of creating with what you are given.