Christmas Chaos

Christmas Chaos   watercolor on Yupo   8 x 8

Like it or not, the heightened festivities also come with more to do, more to make, more to feel.  And, yes, I send too many cards, put up too many ornies and bake too many cookies.  Untangling strings of lights and following unfamiliar recipes can be frustrating, for sure.  But when all is said and done, chaos gives way to the altered experience of the holiday season, and, briefly, takes us out of the mundane.

How fitting that this work was painted on Yupo paper, a synthetic paper with a surface not unlike wax paper....control is forgone.  Accidents rule.

Relish the chaos.  Relish the glitter.

Oh yeah.

Cob

Cob   watercolor on Yupo   3.75 x 12

Cropping as a tool is precarious surgery in my opinion.  I much prefer the in-depth consideration of the composition of a planned painting.  Composition is crucial for providing a focal area and other passages which should support the focal area.  Ideally.  For some reason, I put cropping as a tool in the same category as other "tricks":  using masking fluid; spattering; sponging, etc..  None of these processes will breathe life into an ailing composition....supposedly "saving the day".  I believe that there is practically no such thing as a perfect painting (well maybe one now and then).  I also believe that all paintings have strong passages and others that aren't so much.  I guess much like being a human being.  My aim is to accept the painting as a whole with its all its imperfections.  From time to time, I sort through unsold work and destroy weaker works whose appeal, after some time in catalog, are less than satisfactory.  "Cob" is a small part of a much larger work done several summers ago on Yupo paper.  Yupo produces so much texture on the surface that texture becomes the thing, the key ingredient.  Although working on Yupo provides many chills and thrills, the look of it is too much for my own personal aesthetic.  I did, however, like the cob.  I wiped out all of the painted areas around the cob (which is only possible on Yupo) and framed it in a small and long horizontal.  I think that this might be my first acceptable cropped painting.

Never say never.

Let the Wild Rumpus Begin!...

Christmas Chaos   Watercolor on Yupo   8 x 8

Holiday season is a crazy mix of emotions!  The extreme childlike joy that the season provides is immeasurable.  Likewise,  the frustrations.  We have a holiday tradition here that requires us to fix everything that has been functionally broken for the past year....all in the month of December.  Add to that the tempestuously tangled coils of holiday lights that you remember neatly coiling and organizing the January past.  How does it happen?  Holiday decorations defy organization entirely. (or the possibility of attic gremlins)

"Christmas Chaos" was painted at the end of last holiday season using a few bulbs that had hidden during attic reassignment.  Yupo paper provides the texture.  In fact, one simply cannot escape texture when using this paper, as the surface is a slippery plate.  Adding more pigments always always disturbs what is underneath.  Smooth passages are impossible.  Although this paper is not my favorite, I can understand how using it in certain instances will support chaotic intentions......

such as holiday decorations.

And, as far as those cheap light strings that work only for one year (or half of them go out).....I vow not to purchase them any more.  Please recycle them at :

Recycle holiday lights


All lights sent for recycling should be sent to:
HolidayLEDs.com Recycling Program
C/O Classic Turning, Inc.
4905 James McDivitt Street
Jackson, MI 49201-8958

Texture...

Christmas Chaos   Watercolor on Yupo   8 x 8

is inherent when painting on Yupo.  I like texture in small doses but prefer it when played against the calm of a flatly painted area.  Right now I am picturing a greeting card that featured an elderly man dressed in stripes, checks and patterns of all kinds.  The greeting is "don't drink and dress".  Very funny.  Too many textures seem agitating.  Stories can get lost in texture.  I have come to believe that simple forms work out well on Yupo.  To the right are examples of our holiday still life paintings on Yupo.

Between the Cracks...

Peony Row   Watercolor on Yupo   11 x 15

As we were using Yupo in class, I recalled just one other time, many years previously, that I had used the stuff.  The memory was crisp....sitting the warm sun on my patio and tackling the peony row there....on Yupo.  I remember the frustration of the meandering paint, the frustration of not being able to layer.  These days I am, hopefully, more accepting of such challenges.  After some looking, I came upon that older work "Peony Row".  At the time, I was still taking the best work to a professional to be photographed and, apparently, I didn't feel that my peony painting was worthy.  Pulling it out, after all these years helped me to see that it was better than I had thought.

One quick swipe of a wet brush on Yupo takes the stroke back to the white surface...well, almost.  I found that I really did appreciate the colorful residue left behind on these strokes.  Very sublime.

Putting away questionable paintings is a good trick.  Several years later, I am able to make a better judgement regarding its success.  Sometimes, I am quite aware that the painting really does suck.  And, surprisingly, sometimes the work is better than the image of it that dwells in my subconscious.  That was the case here.  A work that had fallen between the cracks has redeemed itself to me.  Let's not be too hasty to judge.