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Showing posts with label painting shapes by value. Show all posts
Showing posts with label painting shapes by value. Show all posts

Thursday, April 14, 2016

Thursday Night Painting Class

Patty   watercolor   14.5 x 7
It seems that most of the artists in my classes like to try their hand at painting the human figure, which is fine by me, as it is my favorite subject!  I have read somewhere that an artist, by nature, is either a line-person or a mass-person.  While I am not sure if that is true, it can then follow that a line person probably prefers a fine tool and drawing, while a mass-person is well suited for the use of larger, more inaccurate tools, such as a large brush which is good for painterly paintings.  My goal for the class was for the painters to be able to "see" only the masses of lights and darks and midtones, avoiding then, the description of the eyes-nose-mouth-legs-arms-fingers syndrome which can lead to disappointment and more child-like rendering.  The week before the session, I set up a strong light situation in a darkened part of the room to photograph the artists as they entered.  That week, I cropped and altered the photos to promote my goal.  They were then printed on the grayscale setting.  I also offered the suggestion of painting upside down.  While there were a couple of takers, most preferred their reference rightside-up.  I believe that in this way, we can see that a likeness is more dependent on shape, than on detail.

My subject is Patty, a retired art teacher, and a strong painter.  I like the result. 

Friday, March 11, 2016

Norma

Norma   watercolor and thread   16 x 6
is another steadfast watercolorist from our Monday evening class.  She has the distinct advantage of seeing simple shapes without cumbersome detail.  She also creates lovely travel journals with small watercolor sketches in whatever surroundings she finds herself on travels with her partner David. 

In this exercise, photos were shot (by me) of each artist the week before.  Photocopies of all were laid face-down on the table.  We all drew one as we entered.  So....our paintings were done on-the-spur, as it were.  The goal:  to try to be able to see only valued shapes and masses without our left-brain, naming-brain getting in the way with messages such as "This is a hand... 4 fingers and a thumb....better paint small....better get it right".  We painted monochromatically using a brown pigment of choice.

My only issue was the paper being too short for the perfect frame that I had on hand.  The solution:  I painted a strip with cad red and stitched it on by hand using gold thread.

Make new friends, but keep the old.
One is silver, the other gold.

Here's to Norma!