Classmates

Mo and Farina   conte crayon and pastel   27.5 x2 0

Mo is my friend and a fellow artist.  Farina is her dog.  Both have been attending our Monday night class for some time.

Farina was dropped off at Mo's house a few years back, possibly the victim of some kind of abuse, as she is highly distrustful of men in general.  Mo swears that she is truly the "best dog ever", as she is kind, obeys, doesn't stray....in fact, the two of them travel practically everywhere together.  Farina has gradually gotten used to the men in our class, and more than a few artists have been seen giving her a biscuit now and then.  As she is a herding dog, she only rises from her resting position when fellow artists visit the restroom or nab a cup of coffee.  When all have returned to their seats, she is happy again.

What a pair!  They both add richness to our class, and to our lives, especially those of us without pets. As we begin another Monday evening fall session, we all look forward to these very special classmates!

January Nude...a study in pastel

January Nude   pastel/paper   19.75 x 8

Our club's first model session of the new year was last Wednesday night.  Although I have stayed away from these sessions for a while, I definitely needed a jump start in the creative department after the long holiday hiatus.  And nudes are usually not my favorite.  Although there is much to be learned about the human body, I find them full of void, and not quite as interesting.  I came prepared with a nice slice of watercolor paper and some pastels from my Yarka sauce collection.  The model provided a wonderful classic pose and extreme concentration.  My thrill comes from the playing with the hard and soft edges....deciding which shapes to sublimate.  With white paper and light warms, I realized that it would be the darks that would lead the eye around the figure.  Originally, the darks were stroky, wild and black.  At home, I softened the darks with a greenish-gray that seemed, to me, more appropriate to the softness of the skin, the pose.  Broken dark reddish-brown line-work was added at the end to play off of the greens.

My friend Greg had a different problem to solve.  He was working on a gray toned paper.  In his case, it was the lights that did the leading.

One pose.  Many possibilities. 

The Art of the Figure....tee hee hee

January Nude   pastel/paper   19.75 x 8

I see the human body as a major miracle, a thing of beauty, and I love to study it. Muscles of dancers and runners thrill me. Postures of musicians titillate. But the jokes associated with life drawing classes (tee hee hee) have never been that funny to me. We are a culture of contrasts: we don't think twice about watching people get "blown away" in movies or in video games; we love to watch intimate details of people treating each other horribly, disregarding kindness and respect, through the lens of reality television; and women with plastic breasts stare at us from magazine racks at every quick-stop across the land. But somehow the nude human body scares us, taints us and could possibly be evil? It is my own humble opinion that things are a bit bass-ackwards here. "The Art of the Figure" exhibit at Peninsula Art Academy will be shown through October 17. Will all school children who view the exhibit be forever tainted? I think not. I hope for "forever inspired".