Painting Flowers is the test...

Daisy Tumble   watercolor   7.5 x 9.5

...the ultimate test, for me, in the understanding of bending, twirling and complex forms.  Over the years, I have come to discover what I DO NOT like in floral works:  vases of all kinds (they steal the power); symmetry; perfection; and wall to wall paint.  Therefore, I have come to prefer vignettes, spontaneity, pathways of light (mostly) and pathways of dark, kept to a minimum.  While I am a lover of neutrals, I have to work hard to keep them at bay, so that the mood of the work remains sensual and light...a tall order.  I like complete petals as well as some that remain nondescript.  I like a bit of a hard line somewhere in the work that opposes the organic nature of the blooms.  I am happy with this one.  While I did come in for a second pass and some definition, I do think that I stopped in time.  I never enjoy it when the watercolor police come knocking at my door for having taken a work too far into reality and, as a result, too far removed from imagination.

Consideration

Strawberry Basket   oil on canvas   12 x 5.5 x 1.25

needs to be included in the process of painting, I think.  Too often, for myself as well, painting takes on an active role just as one paints a wall, a house.  Cut in the edges.  Use a roller.  Any spots left?  Passive painting includes the time that one spends without a brush in hand in consideration of what needs done, what will improve the work.  The most dreaded question for me in class is, "What do I do next?", for that implies my own sense of aesthetic, rather than the aesthetic of the artist whose work is being considered. 

Strawberry Basket was originally painted from life in my studio in a back-lit situation.  I have never fared well in that situation as the reality of the scene (the play of light) needs to define the work, rather than my own design-based approach.  I am at odds.  Originally this work had a dark background, a kind of old masters take on the subject.  I just couldn't live with it.  After much consideration, the project was reinvented with my own sense of correctness.  I am happy.

We must, in my opinion, hone our own aesthetic sensibility, a personal sense of correctness.  Therein lies our style, that which we are seeking.