Couple/Polar Opposites/hard::soft/Roses in Aluminum

Couple   oil/canvas board   12 x 12

This small painting is a metaphor for all things yin::yang in our lives.  My idea was to create shared space between the two roses...a relationship merged yet individual. 

One of my passions is to eliminate the unnecessary edges which represent fences that block the movement of the pieces/parts.  Because all of these operations are so subjective and so personal, I spent a good deal of time on a sketch that solved (hopefully) potential errors and helped to convey my feelings.  In the past, I have found that the division of space in square formats to be a challenge. In this case, it worked out......

There is much that pleases me here...right down to the simple limited palette.

In addition, the opposition of the quintessentially beautiful roses with the aluminum can completes me.

Hydrangea Blooms

Hydrangea Blooms   Watercolor   13 x 10

is a painting that equaled the preconceived image in my mind.  That rarely happens, as I usually don't have such a clear image of my goal....I am a wanderer, I'm afraid.  Each autumn, I clip a few of these papery spent blooms for my front door wreath....they are so very beautiful.....they make my heart sing.  I planned to oppose these light papery things with a hard glass jar....polar opposite textures.  Two sessions were spent in painting the image monochromatically with raw umber.  My new tube of this hue is by Daniel Smith.  I have found it to be more brown than the  more yellowy hue by Winsor and Newton that had been on my palette for years.  Whites were held for most of the progress....more than you see here.  The last session was spent in glazing and dropping color onto the forms....lightly, very very lightly.  On the blooms, the color was absorbed off after a few minutes with a paper towel.  The pattern of the darkest darks was laid in last of all, including the small pockets of dark within the blooms.  The painting was then fine-tuned to my liking.  I am pleased.

Pumpkin and Pediment

Pumpkin and Pediment   watercolor   12.5 x 20

is the result of a challenge that I offered to myself...that of painting only from a sketch.  In years past (decades, actually) I found myself married to the reality of the subject.  We are then, I think, subject to the reality of the objects in terms of "getting it right".  I am hoping that "getting it right" in the future includes much more of my personal expression...in the strokes and in the paint quality itself.  I have found that the more I remove myself from the objects themselves, the more I rely on my personal observations and feelings...the result is less emotional, less trite, I guess.  Two favorite objects are the subject:  a pie pumpkin and the broken back of a former patio bench that is saved in our garage.  I cannot resist hand-carved things.  Shapes are polar opposites:  organic and geometric.  Patterning which I adore.  Textures opposed as well.  A limited color palette featuring complements and the resultant green.  I am quite happy with the result and plan to continue working from sketches.

One Green Gumdrop...

One Green Gumdrop   watercolor   12.5 x 9

Our class assignment was "a jar of ______".  The challenge was to render these sugary treats as they appeared behind class...as well as to describe the nature of the Ball jar.  Large background strokes of transparent watercolor were subsequently layered over with gouache...hopefully, just enough to let the color peek through and offer a bit of pastel opacity.  The polar opposites of opacity::transparency have been with me for years....I like to think that it offers the best of both worlds.  It has been said that transparency offers more of an entry, a participation, for the viewer....that which is to be.  And, conversely, opacity offering more of what is seen by the artist...that which is, that which is definite.  This is my response to the challenge.

And, as far as the green gumdrop.....why is it that our favorites are more often in short supply?

Longing...

Longing   watercolor   13.5 x 18

There are things and there are situations that fill me with a sense of longing.  Good longing.  A sense of the pure in this world.  One of those things is anything that is hand-carved....a one-of-a-kind object that represents someone else's longing and dedication.  Out subject for class was an architectural element.  I pulled this relief panel off the wall to take along.  I believe that it probably came from an old dresser.  When I stopped at the market on the way, I decided that these roses were the perfect companions for the work.  Hard:soft.  Geometric:organic.  Wood:plant matter.  The first step was to lightly indicate the carvings on the panel...the crevices, the shadows, the gullies.  The roses were painted at home over the week as they opened to a desirable place.  The final passes tied the entire work together....a bit of push and pull, to and fro.  The leaves and the darks were added at the end.  This is the opposite approach of my usual, which forbids me to enter the world of detail before the "big picture" is somewhat in place.  It was a refreshing departure, however.  And....an example of the particularities of each project...doing what will benefit the work itself....and staying out of familiar routines.