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Showing posts with label The Devil in Disguise. Show all posts
Showing posts with label The Devil in Disguise. Show all posts

Monday, October 22, 2012

Line:Mass...a self-portrait

The Devil in Disguise

There are really two distinct approaches to drawing:  line and mass, and I believe that, for each of us, one excites more than the other.  Line involves line-making, all kinds, in order to build the surfaces and to define the subject.  Lines can be overlaid; hatched and cross-hatched.  Line drawings can run the gamut from simple to complex.  Lines are strong and resilient. Lines are produced from the the drawing tool, the pencil, from its stylus end.  Mass, on the other hand, results from often using the sides of the tool, with lots of mushing around.  Blending stumps are used, as are erasers.  The end result is, in my opinion, softer and more painterly.  I am definitely a mass-person.  However, as in most aspects of my life, I am a hybrid.  I like to use the power of the line to add a bit of punch (I like to think of it as punctuation) to a softer mass drawing.

The Devil in Disguise was drawn while looking in a mirror.  I am very satisfied in its ability to convey what I wanted:  that the mask is indeed separate from the head and that is presence has squished my eyes into an uncomfortable position.  I am also satisfied with the mass and mark-making, a good combination, I think, of the two approaches.



Thursday, November 4, 2010

Odd Devil Out...

Devil in Disguise...a sketch
At the Halloween mask session, we had an uneven number of artists in class that evening.  Lucky for me, the mirrors on the side of the room provided a place for me to study my own portrait.  The devil mask of cloth was a relief compared to the other choices in my dress-up box which included several full-face rubber masks.  The cloth mask seemed less irritating to my head cold.  My goals were:  to describe the mask in such a way that viewers would be able to understand the material from which it was made; to bring up the likeness on the bottom half so that it would contrast with the mask on top; and to describe the eyes in such a way so we understand that they are in shadow and definitely on a plane behind the holes of the mask.

I found that the eye-cut-outs were askew and that tickled my fancy.  That added to the fun of it all.

In addition, I find that whole devil/angel notion of paired opposites to be interesting as well as intriguing.  Positively devilish.