Brown....

Julie   conte crayon and pastel on toned paper   17.5 x 10

has always been my least favorite color.  This time of year, even though summer still reigns, we are seeing bits of the yellow and orange that precede the brown.  I think that I have been over-browned.  Our old farmhouse had exposed beams of brown.  All woodwork in the living area was painted brown, including wainscoting. It took us over 20 years to work up the courage to paint over all of the brown.  The lightness that exudes from the Scandinavian palette we selected has definitely put us all in better moods.

However.....there is one exception that keeps brown in my vocabulary.  Portraits that result from the use of the great variety of earthtones are among my favorites.  The warmth of these tones softens a face and warms the soul.  (Those same works rendering in black charcoal lack that warmth but make up for it, in my opinion, by their great power) Ochre.  Umber.  Sienna.  Yes.

Between Drawing and Painting

Twosome   watercolor   14 x 10

I have found that many people who sign up for painting classes want to skip the drawing part. Too bad. Most of the errors that occur during painting are the result of drawing errors. I guess that drawing doesn't seem as fun.....what with no colors to choose from and no medium. I don't feel that way at all, as both drawing and painting involve visual problem solving....I am indeed in love with the process. It is THE TIME SPENT IN CREATING that spins my fan. There is always a half-step, a compromise, so to speak, between the two. Painting with one color allows the artist to experience the medium and solve value problems, without the extremely complex notion of color. After all, it really is value that tells the tale. I have found that the browns work extremely well as their built-in value property is quite dark, thereby having the capabilities of spanning the entire value scale. Not only that, it is pure unadulterated fun. Try it.....you'll like it.